Griselda plays wind instruments in a popular all-women’s music group called Enclave. She listened to the group on the radio as a child and later fulfilled a dream of playing with them. She’s now the group’s youngest member.
From traditional folkloric music to hip-hop, sponsored friends around the world are practicing their favorite forms of music and using music to better their worlds and bring peace of mind.
In 2014 several groups of musicians from our Antsirabe program in Madagascar were invited to record their music for the first Voices of Unbound CD. The Voices of Unbound: Madagascar CD was created to celebrate the talent and culture of our Unbound community while increasing awareness of the Unbound program. Below, Rovah, a staff member from our Antsirabe office, and Lydia, a mothers group member and musician, share their stories of participating in the music project. You can listen to the recordings online at unbound.org/music. Keep reading
Carlos practices his cello in the courtyard outside his home.
Walking down Guatemalan streets lined by cinderblock homes with iron sheet roofs, you might not expect to hear the warm, deep tones of a cello playing Bach or the sometimes accompanying lilt of a violin. But, most evenings, if you visit Carlos’ neighborhood, that’s exactly what you’ll hear.
That’s how Henry Flores, director of the Unbound communications center in El Salvador, began his conversation with Ashley, a sponsored 15 year old from Costa Rica.
A difficult question to ask; an even tougher one to answer.
How could a teenager living in a poor community behind one of the largest shopping malls in the area, where she and her mother, Juana, can only see the walls that hide their reality from the beauty and fantasy of the department stores, answer a question like that?
Barclay Martin, new channels coordinator for Unbound
Toy instruments are displayed at a stand in Madagascar.
By Barclay Martin, new channels coordinator for Unbound
It is an outlandish thing to make your living as a singer/songwriter, and one of the lessons it taught me early was that in order to make it, you have to hustle.
You have to release the notion that just because a morning of coffee and scratching in a notebook renders a song the world is compelled to respond. There’s a brawn to art, the idea that beneath the lustrous promise of a new creation there is muscle and metal driving it. With each release, there is a constant chirping in my brain, beckoning people to pay attention for a moment to what I’m doing. It is a daily battle for a sliver of presence in a world more infinitely layered than we could ever know.
Mamisoa receives a scholarship through Unbound in Madagascar. His scholarship is funded by donations to Education.
By Barclay Martin, new channels coordinator
I met Mamisoa at the Unbound-Madagascar central office while he was helping out with an event for aging members of the Unbound community. He’s studying earth sciences and wants to work to improve the water quality for people in Madagascar. He was introduced as one of the scholarship recipients. Unbound scholarships are funded by donations to Education. Luckily, I had a chance to pose some questions to Mamisoa.
For those compelled to think that people who live in poverty have nothing but their need to offer the world, I might begin by offering them the example of the extraordinary group, Migasy. This ensemble of musicians from the Unbound Madagascar community has developed a sophisticated sound with thoughtful messages. Messages that move humanity forward. These are engaged people who, amidst struggle, have committed themselves to creating works of art.
As they played song after song for us, I thought about the instruments that they played — some of them borrowed, some of them held together with rubber bands and plastic. These are the stories that don’t come through the music at first listen. They must be told. So should the very fact that they shared their music with us so others might have opportunity to go to school through Unbound scholarships. They were proud to do it.
As we recorded, the spirit in the room was of generosity. For each of the artists in Migasy, the desire to grow as musicians and offer something of substance moves them forward. For my part, I simply felt lucky to be in the presence of beautiful artists who had managed to do so much with so little.
It is the best of our human spirit set to music. It’s their gift to us.
Recently our resident musician and new channels coordinator, Barclay Martin, traveled to Madagascar. While there he collaborated with members of the Unbound community to record songs that are unique to the Malagasy people. Through instrument and song, the Voices of Unbound: Madagascar CD tells a story that leaves the listener with a sense of the gifts, capacities and cultures of the people with whom we work.